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Invisible Window| Mirror+River|2018

As for the definition of hometown, the continuous derivation runs forward, but gradually found that it is a very fuzzy boundary because people are constantly flowing, but if you pull the timeline to the modern point, think about the memory shared by the hometown, it is in the window edge The iron window on the flowers, those symbols are the memories of the grandmother's house in the country.

Looking for a lot of iron window styles, trying to restore the symbols of the small village in the memory, the iron window of Hakka Village in the area of ​​Xinshi Road, Pingtung, is used as a symbol template, and the window pattern is mirror-sticked. By reflecting the mirror, the natural scenery is mapped onto it, and the entity of the window pattern disappears. The boundary line between the inside and the outside, which was originally separated by the "window", has disappeared.

Our body is a dynamic movement.

 

Looking for the future outside the window, but also miss the hometown in the window. What kind of world is there in the window and the scenery outside the window? The boundary of the mirror crystal's dimension refraction is when it is secretly divided outside and inside? When will we pause the run and look back at the window waiting for Yours? And we decided to continue to run forward, or look back in the window waiting?

隱形的窗|鏡子+河川|2018

對於故鄉的定義往前不斷的推演奔跑,漸漸卻發現那是十分模糊的界線,因為人是不斷流動的,不過如果將時間軸往近代點拉,思考對於家鄉共有的記憶,是那在窗稜上的鐵窗花,那些符號是對於在小鄉中那外婆家的記憶。

尋覓了許多鐵窗花,試圖去還原那記憶中的小村中家的符號,以屏東二崙信實路一帶的客家村之鐵窗為符號樣板,將窗花以鏡面黏貼,借由鏡面的反射,將自然風景映射於其上,窗花的實體宛若消失,那個原本藉由「窗」所區隔的內外的視點界線,已然消失。

流動的我們,尋覓窗外的未來,也思念窗內的家鄉,我們所見的窗內和窗外的風景各呈現的是甚麼樣的世界? 那鏡面晶體的維度折射的疆界是在何時被悄然劃分了境外和境內? 我們何時會暫停奔跑,回頭看看那窗內在等待你的? 而我們決定繼續往前奔跑還是回望窗內的等待?