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AR坦克人—當坦克開進當代館,AR互動裝置,2021

坦克人在歷史的洪流中是一個重大的事件,對應著國際上的紛擾與不安。後疫情時代如同戰爭進行中的混沌狀態,無論人們當下身處現實或虛擬世界早已不再重要,因為必須即刻進入備戰狀態。作品《AR坦克人—當坦克開進當代館》,用AR擴增實境的方式重現坦克人的經典畫面,彷彿當代館被坦克所佔領,此佔領並非僅是六四的再現,也是後疫情時代,藝術無效化的另一種表現。當全球化被反全球化,世界死亡人數不斷攀升,藝術如同海市蜃樓,將面臨最直接與無法偽裝的姿態,重新走進大眾的眼前,歸零。

AR Tank Man-When the Tank Enters MOCA Taipei,AR interactive installation,2021

In history, the Tank Man has been a major and historic event that triggered international disturbance and anxieties. The post-pandemic era is in a war-like, chaotic state. Whether people are living in the real world or the virtual world is no longer a matter of importance—wherever you are, you need to be prepared for war. AR Tank Man-When the Tank Enters MOCA Taipei represents the unforgettable image of the Tank Man via augmented reality, or AR, as if MOCA Taipei were about to be occupied by a tank. This is not simply a representation of the Tiananmen Square protests but also a manifestation of the nullification of art in the post-pandemic era. When globalization is reversed and the death toll worldwide has been increasing, art becomes a mirage and must assume the most straightforward and barest state in front of the public eye and return to zero.