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a cement plant|film|5min|2011

Attempts to describe the physical impact of the body being covered in a detached image. This is a collage image without a clear narrative, and the symbol has a contrast between industrial scenes and ecological species. The black dog in the image drifts in a migrating manner, that is, it declares to enter an unnatural field space, but in reality, it is a natural species that coexists with the factory and is interdependent. The home of everyday objects comes from a large number of cement molecules, and it becomes a daily living space. What I am trying to worry about is the source. The surrounding area is filled with uninformed information, and a small number of workers are hidden in the cement field. The corner is working. But it can generate a large number of people's residences, such a contrast and generation has a kind of shackles here, and such a gap is my concern.

水泥廠|film|5min|2011


試圖將身體被包覆的情境衝擊以一個抽離的影像形式來描述。這是一個無明確敘事的拼貼影像,而符號存有於工業式的景像和生態物種間的對照關係。影像中的小黑狗以一個遊移的方式飄移,即宣告進入一個非自然場域空間,而現實中牠卻是和工廠並存且相互依存的自然物種。日常物件的居所來自大量的水泥分子所組構,成為一個日常居所活動空間,而我試圖關切的是其源頭,其場域周邊充斥的是無人為的訊息,以及少數的人力,隱微在水泥場的角落運作著。但它卻能生成出大量人的住所,那樣的對照和生成有一種詭譎在此間拉拒著,而那樣的間縫是我所關切的。