AR坦克人—當坦克開進當代館,AR互動裝置,2021

​

坦克人在歷史的洪流中是一個重大的事件，對應著國際上的紛擾與不安。後疫情時代如同戰爭進行中的混沌狀態，無論人們當下身處現實或虛擬世界早已不再重要，因為必須即刻進入備戰狀態。作品《AR坦克人—當坦克開進當代館》，用AR擴增實境的方式重現坦克人的經典畫面，彷彿當代館被坦克所佔領，此佔領並非僅是六四的再現，也是後疫情時代，藝術無效化的另一種表現。當全球化被反全球化，世界死亡人數不斷攀升，藝術如同海市蜃樓，將面臨最直接與無法偽裝的姿態，重新走進大眾的眼前，歸零。

​

​

AR Tank Man-When the Tank Enters MOCA Taipei,AR interactive installation,2021

In history, the Tank Man has been a major and historic event that triggered international disturbance and anxieties. The post-pandemic era is in a war-like, chaotic state. Whether people are living in the real world or the virtual world is no longer a matter of importance—wherever you are, you need to be prepared for war. AR Tank Man-When the Tank Enters MOCA Taipei represents the unforgettable image of the Tank Man via augmented reality, or AR, as if MOCA Taipei were about to be occupied by a tank. This is not simply a representation of the Tiananmen Square protests but also a manifestation of the nullification of art in the post-pandemic era. When globalization is reversed and the death toll worldwide has been increasing, art becomes a mirage and must assume the most straightforward and barest state in front of the public eye and return to zero.